Looking back with a mixture of pride, curiosity and occasional bewilderment, Noel Gallagher relives moments of his life on TV - handpicked by Dermot O’Leary. From Maine Road to Downing Street, The Word to Newsnight – Noel has been ever present on our screens for the past 25 years. Now is his chance to watch it back. In characteristically revealing form, Noel talks about the early days of Oasis, their first TV appearances, his love of Top of the Pops, his role in Cool Britannia, the breakup of one of the world’s most successful rock groups, his own solo career – and how Don’t Look Back In Anger came to define his home town’s response to the Manchester Arena bombing.

Dermot O'Leary relives moments from the lives of some of the biggest stars in music and film. Together they view both seen and unseen footage from the star's career.

With his witty wordplay and wacky props, Leo Gallagher became one of the biggest comedy acts of the 1980s. The comedian’s most famous bit: smashing a watermelon with a giant mallet to the messy delight of audiences. His signature act was a gift and a curse, shooting him to superstardom while breeding both dismissive detractors and imitators, including his own brother. As tastes change, the aging Gallagher seeks the respect he deserves as an innovator in the art of stand-up comedy.

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在对上世纪的家庭录像素材进行影像考古时，为了得到一位外国人在我的家乡杭州所拍摄影像的授权，我踏上了通过网络搜寻找到他联系方式的旅程。

During the Seaside Noel celebrations, Christin learns of a developer who is planning to tear down the wharf that is home to her toy store. Tensions rise as she falls for the developer's son, Andy.

A singer and her dog move next door to a widowed father, his little girl and her cat. Despite a rough start, the neighbors grow close, just in time for a Christmas wish to be granted thanks to their devoted pets.

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After a late-night slasher screening, a group of horror-loving friends find themselves trapped in a terrifying game where slasher movie rules become reality. As eerie events unfold, they realize someone is rewriting the genre—forcing them to fight for survival in a film that’s still being written. The only way out? Break the rules before it’s too late.